Serial film “Hunting for a Gaulyayter“. How Anastasia Zavorotnyuk and Maria Mashkova showed features of a female share during war?Somehow Nikolay Fomenko joked concerning a surname of Nastya Zavorotnyuk, and suggested together “to put for a collar“, that is - to drink. A surname at the actress indeed difficult: both cheerful, and attracting at way. On Nastya all building of the movie “Hunting for a Gaulyayter“ keeps.
Most famous “nurse“ of the country embodies on the screen an image of the simple-minded woman thrown by the husband by the name of Galina who got used to see the world through pink glasses. Her husband at the very beginning of war rejects it, does not recognize at all for the wife because it did not inform of the child, there was an abortion. He betrayed Galya, and she all there: “It - good at me generally, only nervous very much“.
It is a little surprising to see always optimistical Zavorotnyuk from “My great nurse“ in new role. In series “Hunting for a Gaulyayter“ her character and all she is somehow lost, fussy, in something is not really clever. It is not even evacuated together with all at invasion of Germans into the USSR though such opportunity was! And this illogical decision involves it in a chain of historical events.
At the same time Galina keeps in herself softness, even mildness. Zavorotnyuk created plasticity of an image in air tones. It seems, blow at her heroine - and that will scatter totally and scraps on back streets will go. But what not to take away from its game in these series is a charm of her character. Charm of both actress, and her thinking. Her humanity. You will involuntarily throw up in admiration a hand up: “There are women in the Russian settlements!“
the Main character created the feminity, necessary for a role, on the screen. In occupation she not “laid down» under the German though with its external data life would become much easier. It for the sake of the nephew went to wash the floors on which the German boots in commandant`s office stamp.
Zavorotnyuk especially worked well game scenes with children of the deputy Hitler in Belarus of a gaulyayter for Cuba. It seems to me, Galya`s image from one more party reveals here. The German children run around it and ring hand bells. There is a game to a blind-man`s-buff. And Anastasia`s character just laughs, as well as any mother. Let these children - difficult, and children of the enemy. But they are children, not they thought up this war. Too covered Galya with war unexpectedly. And combination of circumstances yes the love involved it in this war. It was used both guerrillas, and Germans. Everyone in the game. She won nothing, and purely properly it is a pity for the heroine Zavorotnyuk.
Movie “Hunting for a Gaulyayter“ in many respects house. Here Germans not of a risovana only one black paints. They have wives, children, the problems. This is not the military fighter like “Saboteur“, it is history of two women (performed by Mashkova and Zavorotnyuk) during fatal events.
Already not for the first time our cinematographers involve foreign actors in the works. Directors of a casting of a picture invited Germans to roles of a gaulyayter and his improvised Gestapo man. And I have to tell that this idea was repaid. Participation of the real German actors creates a bigger feeling of reality of the events on the screen. And that often Germans was played earlier by our little-known actors “with the Ryazan physiognomies“, and and there was a wish to twist a face in a dissatisfied grimace: “Yes what you are German, Vasya! If you are German. That I am an astronaut“.
Especially work of mass meeting and fireworkers in episodes of bombardments of the city and the trains going to the back with refugees pleased me. Happens in our movies and series that explosion is late, and mass meeting already falls as the knocked-down grass under the peasant`s braid. In “Hunting for a gaulyayter“ I see that the logical sequence is observed: explosion - a shock wave - a body throws in air. Perhaps, it is trifles for serial cinema, but they together create feeling of reliable action that it is very important in art of cinema. I do not know either names, or surnames of participants of mass meeting, but they worked is laudable.
I always respected people ideological. There is in them some internal force multiplied on trust. In “Hunting for a gaulyayter“ there is such ideological pillar: Maria is the heroine of the actress Maria Mashkova. I will risk to assume that quite so looked and behaved then, in 1940 - x, the parties betrayed to business and Lenin`s business - Stalin young persons of the country of Councils. Even something in appearance of the actress says that before us “the sportswoman, the member of the Komsomol and just the beauty“.
At once the episode is remembered: Mashkova`s heroine Maria resolutely bars the way to marauders in spite of the fact that with it there was a child in spite of the fact that villains are armed with knives. But here the Soviet woman saw obvious violation of the law from the Soviet citizens and showed determination, the civic stand for what it it is possible and it is necessary to respect.
In general, the serial film “Hunting for a Gaulyayter“ is the certain cloth telling about a female share in war. Man`s characters in a picture left more through passage, low-informative. But it - it does not matter! The main of them - Yakov (Alexander Dyachenko), the half-movie rolls on a bed the wounded, bursts pies, and he is looked after by women. Then Yakov renames himself into Sergey at all (conspiracy!) becomes even more unclear personality, but the actor did not manage to create any convex image. And it had on it no rather screen time. Screenwriters did not give. But as a result we received cinema about female methods of war in extreme conditions that does a thing of even more original.
For strengthening of dramatic nature of action authors of a picture traced the conflict line in the German command. Gaulyayter to Cuba, Hitler`s deputy in the occupied Belarus - the liberal, is inclined to dialogue with local population. And is even more dangerous that! It causes sympathy in considerable part of Belarusians who see the German order, see that they are not driven violently into collective farms, do not put for a joke, and trust Councils less. The actor from Germany Uwe Jellinek created an image not of the simple martinet, and thinking the cultural invader.
As opposed to it the SS-man Gottenberg performed by Dirk Martens sees in people not of the German nationality only cattle. He covers with blood villages. Burns inhabitants, carries out punitive actions, and the hatred vector to fascists at simple people goes top. Two multidirectional lines in the movie are crossed that creates feeling of a game of politics and collision of two types of thinking.