Rus Articles Journal

Whether psychology of dreams or how to understand about what

tell us our dreams we Can remove a spell from our dreams and learn as why to us is? Whether to trust dream book which is precisely knowing your secrets? Can works of pillars of world psychology of Z. Froyd, K. Jung will reveal to us secret of dreams? Unfortunately or not everything is so obvious to happiness. Yes, researchers to psychologists or popular wisdom managed to approach a solution of dreams, but the human nature such is that, it seemed regularity in practice, appears the particular built in degree. And the secret solution, both belonged, and belongs only to the owner of a dream.
Each person is unique and we cannot paste to it a label. An example of use of a label, generalization is that Napoleon`s growth - gives rise to the same ambitions. But this simplification which is not considering that Bonaparte had other features - biological (temperament, inclinations, instincts, etc.) specific features of mental processes (attention, memory, thinking), personal (the volume and quality of the available knowledge, abilities, skills and habits), socially caused (an orientation, moral qualities). Use of a metaphor, also does not consider in what family he lived and was brought up where studied where served and what political situation was in society at that time. Life experience to which it has a relation, positive, negative, ambivalent. Set of above-mentioned factors and some other, form of us that the personality who we are. And how dream? How it influences our everyday life? It is a treasury of answers to our questions and the psychological reserve allowing us to cope with daily difficulties.
the Dream for the person is experience which we get we it without any obstacles. We can test new behavior models, embody cherished dreams with the minimum risk for ourselves. According to Michel Zhurve`s researches, at the time of a dream, best of all we train a brain. The consciousness does not work and we get experience without obstacles.
Ya to you I want to give an example of psychodrama work with a dream. we Began
with the fact that participants shared the purposes of the arrival on group and the relation to a subject (the working name the master - a class was “Waking dreams“).
Then I suggested participants to step on the stage and to stay ten minutes as “a dream symbol“ which causes “here and now“ the maximum quantity of emotions. Participants on a scene lived, got acquainted, interacted among themselves. Different there were roles - “a well with muddy water“, “zombie“, “fog“, “a trunk with something multi-colored inside“, “dark“. I asked participants to tell
After interaction about the experiences, associations, imaginations and experiences in roles. The following circle of discussion was devoted to interpretations of participants how the “symbol“ presented on a scene is connected with their real life.
the Important point that methodical knowledge of the psychologist working with a dream is only the support allowing to understand better a metaphor, but can interpret it only the owner of a metaphor. The psychologist acts as the skillful pilot on the world of the unconscious client, helps the ship to move further, without running aground and to drown in whirlpools of sea elements.
responded To the offer to be a protagonist (the person whose dream will understand) three participants at once and we chose by sociometric vote one of them.
Chose the participant who told that there is a dream which terrifies her and which dreams for many years (approximately with 24).
K. Jung believed that the dream which repeats is similar to a situation with the letter which brings you the mail carrier when you there is no house.
to It about forty years, she looks good, is emotionally involved. We with the protagonist stepped on the stage, mudflows on chairs and it is excited tells - “I sleep in a bed. I wake up in the dark room, a twilight, around everything is forced by cases, darkness is condensed and there is nothing to breathe. I wake up from it and I cannot breathe. I run to a window, and it is closed and I choke …. At this moment, a dream to pass into a reality, and I wake up with awful tachycardia, I choke and I feel horror. Sharply I get out of a bed to run to a window, I open it and I open, it is speeded up I breathe night air“.
Ya made an attempt to carry out process the analysis after the story of a dream, asking about key, in my opinion, symbols that they can mean in real life what are connected with what ideas are? What occurred in her life in 24 years? The answer of the protagonist, events important it seems was also not. Symbols “Darkness“, “Cases“, “Window“, “Air“, “Lack of Forces on Breath“ - considered in turn, did not give me material for further work too. I Suggest the protagonist to lose to
a dream, it agrees and we begin. We form a scene, we put chairs in a row, it will be our “bed“, we invite actors to the above-stated symbols and we enter into a role. We turn off the light and we lose a scene in the twilight. Experiences of the protagonist it is identical to feelings from reality when the dream dreams it. But ideas that bears in itself this dream at the protagonist any. I suggest to invite one more actor to a role of myself and to take a detached view of a scene.
the View from a mirrors position of a scene, helped to remember small history from the childhood connected with darkness and fear. We “sorted“ the previous scene and put a new plot. The six-year-old girl of one house, watches on TV chyorno - the white movie “Crime and punishment “. The huge fear is generated by a scene when Raskolnikov kills with the axe the money lender. And right there instantly the protagonist remembers one more scene about which it also could not offer.
the Apartment in a five-storey apartment block, inhabitants - mother, the father, the grandmother, the grandfather. She is two years old, she lies in a bed, her grandfather puts on a black mask, is stolen on a floor that she did not see it, sharply gets up and frightens her. We lose, this scene twice. Once the protagonist as, the second - as “mirror“. I ask what experiences actors and the protagonist had. It is convex is heard, ambivalence of the grandfather to the granddaughter - love vs the power, ambivalence of the granddaughter - the grandfather good. Then in a circle we carried out by
two circles of a Schering “What I endured in a role? “ and “As the lost roles belong to my life?“.